"AMBITIOUS AND CLEVER."
As a director, I approach every project with a clear, story-driven vision shaped by meaningful collaboration. I provide a dynamic framework with exacting discernment, while also creating space for artists to explore, play, and bring their best work forward. I strive to build a creative culture rooted in trust, curiosity, and shared purpose, where everyone feels invested in telling the story together.
The results are bold, compelling shows that land.
Too Much Light Makes the Baby Go Blind
The One-Act Play That Goes Wrong
Evil Dead
The Wolves
The Lightning Thief
Twisted River of Temptation
10 Ways to Survive the Zombie Apocalypse
Romeo & Juliet
Ride the Cyclone
Tigers Be Still
Eurydice
The 39 Steps
No Exit
Rock of Ages
Oedipus Rex
Silent Sky
Loras College: The Musical
The 25th Annual Putnam County Spelling Bee
Hedda Gabler
Around the World in 80 Days
Constellations
The Royale
Hand to God
Gruesome Playground Injuries
Avenue Q
The Drowsy Chaperone
Reefer Madness
The Amazing Hi-Lows
The Last Five Years
The Importance of Being Earnest
A Midsummer Night's Dream
Alice in the Underground
Miscellaneous
Collaborator Testimonials
"...thanks for the good work you do with students... you're a very affirming teacher/director!" - CK, Loras College colleague
"It's great working with a director with such good 'eyes and ears!'" - Rob Shepherd, music director
"[Ryan brings] vision, relatability, honesty, and outlines wants and expectations." - Melanie Pickard, actress
"He knows what he wants you to do, which really helps." - Lizzie White, actress
"Developing a schedule for such a quick turn-around. I was impressed with how few hitches the short rehearsal period presented." - Tori Rezek, costume designer/technical dir.
"Knowledge! Passion!" - Rachel Russell, actress
"Solid direction." - Alex McCarthy, managing director
"We're in love with a wonderful show. Thank you, Ryan!" - Bruce JG Kotowich, actor
"I appreciate your time and your expertise. It is fun working with you and I always learn something every rehearsal. I love that." - Laura Bayless, actress
"The show has exceeded my expectations -- I am very happy with the production!" - Robert Dunn, playwright/composer
"You've done an excellent job... I certainly appreciate your good work in rehearsals and ideas..." - Vince Williams, playwright/actor
“You would think that after nearly eight years of doing this thing called theatre, I'd get over the nostalgia of after show blues, but that's just not the case. Avenue Q was a great experience and one I'm so glad I went for. It was a blast to work with so many wonderful and talented people, and I'm grateful that I had the chance to reunite with people who got me into this crazy world of theatre in the first place. Congratulations on a job well done to the entire cast and crew of Avenue Q!” – Dakota Vaassen, actor
DIRECTING PHILOSOPHY
As a director, before I begin work with designers or actors, it is important to me that I have a strong vision of how the story we are telling will be told. I read, read, read. I put myself in the performance space. I research, listen to music, daydream and imagine. This is critical to my process because I value the time of my designers and actors too much to waste it. When I meet with designers and actors for the first time, I am able to describe the world of the play, the kinds of relationships that exist, and the shape of the story. I have dynamic blocking actors can motivate, aesthetic designers can attach to, and a story that constantly engages.
Yet play is always involved in our process. The vision I offer (as thoughtful, prepared, and specific as it is) is a framework upon which we all collaborate. I am a strong believer of freedom within structure. Our process is an incubator which encourages actors and designers to experiment and bring forth their best work and strongest choices in the pursuit of our best production.
I set clear and high expectations of my team. I establish a culture that values work, play, and collaboration in which everyone contributes something significant and within their expertise.
After setting expectations and initially creating our culture, my job is that of a servant. As colleagues of mine will strongly agree, I am highly responsive to the needs and challenges of our team throughout the process. Always with appreciation for everyone's work, I never ignore the audience and constantly push everyone to the next level of clarity and strength in design, performance, and overall storytelling.
Audience & Critical Response
THE WOLVES
“I know I always say this after seeing one of your productions, but The Wolves was truly incredible. The way the play represents the toxicity with which young women engage each other was so powerful and your actors did an amazing job bringing that intensity to life. I would say it was a joy to watch, but that does not not seem to be the goal of this work. The production was hard to watch and, I think, brought many women back to the challenges of their high school years. Congratulations to you and your ensemble." - KMG
EURYDICE
“My wife and I attended the opening night performance. I've been at Loras for 22 years and have attended many performances of this time. While not to downplay your predecessors, last night's play was one the best all-around performances I have attended in some time. In my humble opinion, each role was cast perfectly and your portrayal [of the characters] was done so convincingly. The staging drew the audience in so much more and completed the story.
"Thank you for sharing your talents with our community. We are blessed to have all of you here." - AS, Loras College administrator
rock of Ages
“It was a great cast and community that rocked hard and had heart ..." - FM
“I've been a fan of your work for awhile, but this might be the best yet. Great job and wonderful show!" - GOH board member
Silent Sky
“Without exaggeration or hyperbole, I must say that [Silent Sky] was perhaps the finest performance I have ever witnessed in my time at Loras. In fact, it was on a par with what I have seen in Spring Green (American Players Theatre) and other professional venues over the years.
“The presentation of the story was poignant and inspiring, with mature, sensitive, and touching character portrayals..." - RC
Loras College: The Musical!
“It's a wonderful show. It's funny, fast-paced, and genuinely well done." - JK
The Royale
“On Kevin Griffith's austere set in UNO's large theater, graduate student Ryan M. Decker's inventive direction and Diane K Baas' punchy lighting illuminated The Royale by Marco Ramirez... a powerful John Charles II, impressively supported by James Compton V and Shanda Quintal... The Royale provided an absorbing, invigorating theatrical experience." - Brian Sands, Ambush Magazine
Hand to God
“Ryan Michael Decker does a fine job corralling a willing cast into a fabulous farce that achieves unexpected depth.” - SM
“WOW. What an awesome night... hilarious and tragic...” – ER
AVENUE Q
“I feel bad for anyone who didn't get to see Trainwreck Productions' production of Avenue Q this weekend. By the end of the first act my face was in pain from smiling and laughing so much... the entire cast did a terrific job...” – ER
“Congrats on a fun show! I really enjoyed it!” – AR
“What you do with so few resources! Congrats on Q. Fun night.” – CG
“Such a great show! So much fun! I was guffawing the whole time!” – CH
The Drowsy Chaperone
"...an absolute delight with crackerjack timing, one of the most fabulous sets I have ever seen and a cast that is game for just about everything. Ryan Michael Decker did a fantastic job directing. Bravo everyone..." – SM
"... it was AMAZING. Fantastic sets and costumes and a very talented cast and crew made this an awesome show." – KL
Reefer Madness
“Trainwreck
Productions' performance of Reefer Madness was the most inspired local theatre
I've seen since [title of show]... Hey!
That was a Trainwreck project too!” – PN
“I’m giving this production of Reefer Madness really HIGH MARKS.” – DB
“Everyone brought their A game tonight with a great show. If you haven’t seen them, go check the show out… You won’t regret it.” – AM
“Trainwreck Productions does it again! Great show last night. Had so much fun I’m going again on Saturday. Lots o’ laughs and top-notch performances!” – MM
“FANTASTIC SHOW!!! We loved it!! Thanks for another great TRAINWRECK!!” – SK
“What a fun show! We did not know what to expect, which was just fine-very entertaining and very well done.” – MBV
“The show was funny and entertaining. Great acting.” – MV
“Encore? Encore?” – AB
“Great campy show… keep the good shows coming and thanks for the laughs.” – TK
“You all were so great! I loved this fun production!” - RB
“Awesome job to everyone! Enjoyed the show immensely and a very talented cast!” - CH
“It was great! Can't wait to see it again on Saturday. Everyone did a great job. Two thumbs up.” – SD
“Reefer Madness gave this non-toker a natural high. Big fun!” – CG
“I saw, and loved, Trainwreck Productions’ production of Reefer Madness! It was hilarious, smart, a little bawdy (just enough), irreverent, and really, really fun. The house was packed, and the audience was great! Bravo, to the whole cast, and bravo to Eronel for giving a home to this kind of theater experience.” – PS
“Stunning. Yes. They fricking ROCK!!” – MC
“…the Old Guard let its guard down... troupes with more money and longer traditions do not touch the performances of Trainwreck.” – Anon.
THE Last Five Years
“Saw the musical
last night. Incredible! Everyone truly felt the emotion of the play. Great job
Ryan, Lily and Kris!” – LB
“Ambitious and clever.” – AJ
“I was really impressed with Ryan Decker's directing...” – MM
The Importance of Being Earnest
“…All I can say is
BRAVO to the cast and crew. It was an
incredible performance by a group of talented young actors. Entertainment at its best.” – CS
“A truly enjoyable evening of theatre provided by Trainwreck Productions... GO SEE The Importance of Being Earnest!” – CG